This type of simplification makes for bad history-and a flat read. Instead, the dilemmas faced by these characters come across to the reader as crystal-clear choices between good and evil. Neither subtlety nor insight plays a part in these proceedings: Williams doesn't suggest the attractions of the Hitler youth groups or allow for the range of attitudes within these groups, described so persuasively in such memoirs as Ilse Koehn's Mischling, Second Degree or Hans Peter Richter's I Was There.
As Korinna weighs the possibility of turning her parents in, her best friend, Rita, begins to grow suspicious and starts laying a deadly trap for the Rehmes and their clandestine guests. When she discovers that two Jews, a mother and young daughter, are hiding in her very own house, she is horrified at her parents' calumny. Early in the story, Korinna is thrilled to listen to the Fuhrer deliver a speech. Much propaganda specifically targeted children, as evident in Behind the Bedroom Wall in Korinna’s schooling and jungmädel lessons.
Don't you think so?"") and rabidly anti-Semitic. This propaganda aimed to alter people’s understanding of history, of the science of race, and of Germany’s place in the world. At 13, Korinna Rehme is just like the other members of her girls' youth group: besotted with the Fuhrer (""Hitler is the most wonderful man, Mother. Melodrama substitutes for conflict in this heavy-handed novel set in Nazi Germany.
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